How did you enter this field of acting, writing, and direction? What is the role of the body in acting? How did you manage to play so many different characters yet making each of them so convincing? What are the different aspects of acting? What happens while you are acting, on stage, or while in […]
Month: July 2017
Understanding Raag Vyawastha
The biggest asset of Hindustani classical is the framework of Raag (Raag Vyawastha). Why do we need this framework and how does it help? How is one Raaga’s mood defined? Who defines them? For eg: What is Marwah’s feeling In one of the interviews, Vasant Rao Deshpande mentioned that once Asa-Ali khan Saheb sang Marwah […]