1. Is dance creation, invention, or discovery? Why dance is considered so divine art form? Did Dance start as a solo activity or a group?
2. You engage with Jazz, Classical Ballet, Contemporary, Urban, and Funk. What is your overall process of reconciling age-old traditions of yoga with contemporary dance movements? Can you also talk about the Prana Paint technique?
3. “Prana Paint” for me is an indicator of a person going deep enough to understand spirituality and philosophy. Can you talk about Dance as a means of self-help? All throughout since this art form existed to the current times of social fragmentation, stress, and most important, anxiety.
4. In one of your articles published in 2017 during your Agni production through Navdhara India Dance Theatre (NIDT), you mentioned “Passion can create or destroy. In creating we destroy. And in destroying we create.” – Can you elaborate on that, please? I am interested in knowing what got destroyed as we kept evolving dance as an art form / as a practice.
5. What is the long term future of dance form? From the world view of Online, Social distancing norms to group dances, couples dancing to know each other or a solo performer the only person in Auditorium. What are your thoughts and views?
Mark Twain once said, “Work like you don’t need the money. Dance like no one is watching. And love like you’ve never been hurt.” Seems like Mark Twain knew one of the secrets of Bhagwad Gita. Do things without any expectations. To explore these philosophical thoughts and connect the dots of the western world to India’s spirituality through dance, I have Ashley Lobo with us Audiogyan.
Ashley Lobo is considered to be a spearhead of international dance in India. His career in performing arts comprises of over 35 years of performing, choreographing, and teaching – in India and overseas. He trained in Australia at the Bodenweiser Dance Centre and at Sydney Dance Company.
He is the Founder & Artistic Director of The Danceworx Performing Arts Academy (TDX), which is considered to be one of India’s leading institutes for learning international dance and has over 15 studios across New Delhi, NCR and Mumbai.
He is also the Founder & Artistic Director of Navdhara India Dance Theatre (NIDT), one of India’s premier artistic contemporary dance companies that has toured extensively with their work, performing in USA, Canada, South Africa, Germany, Poland, Israel, Turkey, China, Bahrain, Taiwan and Mexico.
Ashley is renowned for his Prana Paint™ technique, a unique sensitizing approach developed by him that explores movement through yoga, breath, connectivity and touch. This notable technique has put him on the international map and led to him being invited to teach and choreograph overseas. In 2017, he was invited to create a full-length contemporary dance production “Das Dschungelbuch” for The Ballet Chemnitz in Germany. In 2018, he worked with Zawirowania Dance Theater in Poland on a contemporary dance collaboration titled “The Crossing”. In 2019, he created a full-length contemporary dance production “Yama” for a ballet company in Austria, Landestheater Linz. The work was so well received that he has been invited back to premiere a new work there on the 21st of May 2021 based on “Buddha”.
Ashley has choreographed extensively for stage and cinema, with over 30 feature films and as many stage productions to his credit. His choreographic style has a strong influence of cinematic techniques combined with clear narrative. In film and stage, he is known for producing work with a uniquely strong sense of connection, which he has developed through his Prana Paint™ technique.
Ashley has also been a judge on India’s Dancing Superstar, a competitive dance reality programme on Star Plus, a premium Indian TV channel.