Friedrich Nietzsche once said, “We should be a mirror of being: we are God in miniature.”. I Had Srijan Jha in Ep. 258 on “How mini can a miniature art be’ and a case study of ‘Green humor’ with Rohan Chakravarty in Ep.253. And today’s episode is an amalgamation of both. Today’s guests do a lot of work in the realm of nature in miniature.
I am pleased to have Nayan Shrimali & Venus Bird (earlier known as Vaishali). They are the duo who run the “The Paper Ark”, store, project - we’ll find out soon.
Nayan is a furniture and interior design graduate from NID, Ahmedabad. He now works full-time as a paper cut artist. Venus holds a diploma in animation and visual effects, she brings life into these objects through colors. They both are from Ahmedabad.
Questions
What is The Paper Ark? How did you start and why? What initially drew you both to miniature papercutting and specifically to birds and animals as your subjects? The "1000 Days of Birds" series is a remarkable feat! How did the concept for such a long-term project come about, and how did you two stay motivated throughout?
Does this art form have a rich history in various cultures? Do you have a specific name for the style of papercutting you practice? Are there specializations?
How can one get into this? For aspiring artists interested in papercutting, what basic skills or knowledge do you think are most important to develop?
Given the intricate detail, can you give us a rough estimate of how long it typically takes to create one of your miniature artworks?
What is it about working in miniature that appeals to you? Is it the focus on detail, the challenge of working small, or something else?
In your collection, you have a wide variety of birds and animals. Do YOu also have various themes such as ‘Rare’, and ‘Pollinator project’? How do you decide which subjects to create miniature paper cuttings of? How do you start and what is the process like?
As successful artists selling your work online, have you encountered any specific challenges in marketing or running a business focused on miniature paper cutting?
Can you share some insights into your tools and materials? Are there any specific types of paper or cutting implements that you find essential for creating your miniature objects?
It's fascinating that your primary audience is overseas! What do you think attracts international collectors to your work?
What is the future? Any new series, themes, or techniques you'd like to explore? Where and how can people collaborate?
Reference reading
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